Directors Note
Matilda was published in 1988, over 30 years ago! And Roald Dahl died 2 years later in 1990.
Roald Dahl was a curious child who loved to read. He spent his difficult early childhood in boarding school, away from his family, and learned to escape through reading. In a nearly autobiographical way, Matilda too finds escape through the stories she reads.
Roald Dahl was worried that reading was being overtaken by TV watching (as seen in the Mike Teavee character in Charlie and the Chocolate Factory, which he also wrote) and he wanted to inspire children to read more. He name-drops some classics in Matilda like Animal Farm, Jane Eyre, Great Expectations and Moby Dick, amongst others!
“I have a passion for teaching kids to become readers, to become comfortable with a book, not daunted. Books shouldn't be daunting, they should be funny, exciting, and wonderful; and learning to be a reader gives a terrific advantage.”- Roald Dahl
We believe the same is true of theater. From classic works to musical theatre, the performing arts have a way of teaching us what it is to be joyful participants in the rigor of life. And life, like books and plays, should be funny, exciting, and wonderful. That is why in this production we are delighted you will see 8 - 17-year-olds all playing on this playground we call a stage. With balance beams, shadow puppets, and fantastic dance numbers we are proud to present you with a story about the power of a little girl who decided she could and so she did.
May we all be inspired by the imagination of a child to play more, be brave, and maybe read more.
Photos By Megs Levi
Sometimes you have to be a little bit...creative
Working on Matilda within the limitations of our stage and wing space pushed us toward a modular set design, which ultimately opened the door for greater creativity. We explored elements like shadow puppetry and incorporated more circus-inspired, playful staging choices. We got to play with pulling set pieces off and making something bigger - almost like a pop up book. The result was a set that felt like a true playground—dynamic, imaginative, and full of possibility.
Photos by Megs Levi